SOMEWHERE IN TIME
 »General

If Escher and Dalí collaborated on an Iron Maiden album cover, it would look something like this.

Plus: Make your own remix of the Doctor Who theme!

(Both links via Boing Boing.)

posted by Maximus | 2:57 pm EST | 2004.12.30 | link

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CHRISTMAS IN THE STARS
 »General

The horror of the Star Wars Christmas album, featuring the talents of the 18-year-old Jon Bon Jovi.

posted by Maximus | 1:38 am EST | 2004.12.28 | link

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YOU WON'T SEE ME
 »General

I got off work early on Thursday for the Christmas weekend, and -- perfect timing -- came down with some kind of killer flu that afternoon. I've been mostly confined to bed for the last few days. Later this week I'll have family visiting from out of town. So posting will be extremely light till the new year.

posted by Maximus | 12:18 am EST | 2004.12.27 | link

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YOU USED TO PLAY MY FAVORITE SONGS
 »Reviews

More capsule reviews (most of which should have been posted a while ago). Items followed with a star () have been added to the Picks list.

- Solvent - Apples & Synthesizers - Jason Amm's pristine robot pop is like 8-bit video game music remade with the best Korgs, Rolands, and Moogs that money can buy. Many of the tracks are instrumental; vocals, where they appear, are vocoderized. The sound palette is constrained by the vintage gear that Amm uses, but his compositions are so perfect, you're happy to immerse yourself in his Tron-esque universe for 50 minutes.

- Diplo - Florida - This turntablist symphony offers a panorama of vintage samples, booty beats, dancehall toasting, and nature sounds. It's trip-hop in the best sense: a soulful, psycho-geographical trip through the shadowy swamps of the Sunshine State. Like the mid-'90s work of Future Sound of London, Florida is often dreamy, but never slack; at times it drifts, but it's always going somewhere.

- Various Artists - Grime - Rephlex's first grime sampler is a disappointment. It's not a true survey of the scene -- only three producers (Mark One, Slaughter Mob, and Plasticman) are represented. The tracks included here feature lots of recycled breaks and D&B riffs, but lack the freshness and sharpness of recent output from innovators like Dizzee Rascal and Wiley.

- I, Synthesist - Avalanche - Chris Ianuzzi's solo debut recalls many turn-of-the'-80s influences, but not the ones that have been done to death these last few years. Instead of dry, primitivist electro, he's created polished, cerebral singer/songwriter synthpop a la Thomas Dolby. His gritty voice -- edged with the rasp of Peter Gabriel and the wail of David Byrne -- guides you through the dense, burbling production, telling stories of sci-fi romance.

- The Faint - Wet from Birth - The indietronic quintet from Nebraska deliver more mildly angsty, pseudo-intellectual electro-rock. Some good beats, and a nice blend of crunchy guitar and warped, buzzsaw synths. Nothing profound, but it has its moments.

posted by Maximus | 2:47 pm EST | 2004.12.23 | link

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MY NAME IS BIIICYCLE!
 »General

One more mashup link: The Kleptones' A Night at the Hip Hopera. 23 glorious tracks of Queen mixed promiscuously with all kinds of rap and pop trash and treasure.

posted by Maximus | 8:05 pm EST | 2004.12.22 | link

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MEET THE BEASTLES
 »General

Another Beatles / hip-hop mashup project. Eh... it's OK, but no Grey Album.

posted by Maximus | 4:57 pm EST | 2004.12.21 | link

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SWOUND
 »General

Convicted mashup perpetrator Cuechamp now has an MP3 blog.

posted by Maximus | 4:18 pm EST | 2004.12.21 | link

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I USED TO GO TO THE SHOW / SIT IN THE FRONT ROW
 »General

The manifesto of More in the Monitor:

Every night hundreds of shows unfold just in New York City. And people go. But the scene is largely unreported. Without getting too preachy (too late, eh?) we just want a site where people write about shows and people read about shows and show culture lives on.

posted by Maximus | 3:00 pm EST | 2004.12.20 | link

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STAIRWAY TO HEAVEN
 »Writing on the Wall

I found this flyer taped up in front of The Pod on Friday night:

Fight the power! Stop the space elevator!

posted by Maximus | 1:04 pm EST | 2004.12.20 | link

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WE GOT TO GET UP AND ORGANIZE
 »General

From Newsday:

The management of the renowned avant-garde music club the Knitting Factory reached a settlement with artists on its record label after they alleged the label owed them royalties and disposed of unsold CDs.

Knitmedia Inc., which runs the Knitting Factory clubs in New York and Los Angeles and Knitting Factory Records, agreed to pay $1,250 in back royalties to each musician who signed on to the settlement, said David Lennon, president of Local 802 of the American Federation of Musicians. The company also agreed to return to the approximately 80 artists all rights to their work and the master recordings, he said. ...

The settlement was reached after several of the musicians who had formed a coalition called Take it to the Bridge in their fight against the company rallied outside the New York club Wednesday night, prompting a sit-down, Lennon said.

He said Knitmedia also has agreed to enter into arbitration with those artists who were not party to the settlement over mechanical royalties dating to Jan. 1, 2000, and to return to them the rights to master recordings. ...

"There's a myth that its the little artist-friendly indie David against the corporate label giant. But artists get ripped off by both all the time," [musician Marc Ribot] said. "What's unique here is that the artists organized to do something about it, and it was also one of the first times that a major union was supporting them."

posted by Maximus | 3:15 pm EST | 2004.12.19 | link

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GIVE 'EM THEIR LUMPS
 »General

It's Christmastime, and the freedom fighters at Downhill Battle are making a list. To encourage support for the Electronic Frontier Foundation, Public Knowledge, and IPac, they've made this pledge:

For every $100 given to these groups in the month of December, Downhill Battle will send one lump of coal to the RIAA and MPAA. This is not a joke-- we are literally going to look up their addresses and send them coal.

posted by Maximus | 5:33 pm EST | 2004.12.17 | link

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DOWNLOAD OF THE WEEK
 »Downloads

- Afrika Bambaataa with Gary Numan - "Metal" - The best electroclash took '80s styles -- like new wave and electrofunk -- and mixed them up in ways that no one thought of doing back in the '80s. This track is a literal embodiment of that principle: the godfather of hip-hop meets the original new wave humanoid. The quote from "Heart of Glass" is cute but gratuitous; the clunky rap by MC Chatterbox should have been cut. Otherwise, Numan's quavering robotics and Bambaataa's beats (more solid than ever) have been welded together almost seamlessly.

BONUS VIDEO:

- Matrix Ping-Pong - This clip from Japanese TV made the rounds of the InterWeb last year, but I still think it's hilarious.

posted by Maximus | 4:43 pm EST | 2004.12.17 | link

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WHEELS OF GOLD
 »Tech

While we're on the equipment tip: Turntable Lab has the ultimate in bling for your favorite DJ this Christmas.

UPDATE: Tom at Music Thing informs me that this is not the first time that Technics has sold a turntable with gold-plated fixtures. Maybe the "limited edition of 3,000" on offer this time is actually the remainder of the "limited edition of 10,000" produced last time?

posted by Maximus | 11:32 pm EST | 2004.12.15 | link

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THE GRANDDADDY OF THE KEYTAR...
 »Tech

...was the Syntar. Here are some cool photos of it, taken at the September 2004 Pacific Northwest Synthesizer Meeting.

(Via Music Thing.)

posted by Maximus | 5:03 pm EST | 2004.12.15 | link

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I CAN BITCH, I CAN BITCH / 'CAUSE I'M BETTER THAN YOU
 »General

And in other aging pop star news, it's George Michael vs. Sir Elton John. The money quote:

"[T]o this day, most of what Elton thinks he knows about my life is pretty much limited to the gossip he hears on the 'gay grapevine' which is, as you can imagine, lovely stuff.

"Other than that, he knows I don't like to tour, I smoke too much pot and my albums still have a habit of going to Number One. In other words, he knows as much as most of my fans."

posted by Maximus | 1:00 am EST | 2004.12.15 | link

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SYNTHPOP SICK LIST
 »General

After suffering serious injuries in a motorcycle crash in October, Soft Cell's Marc Almond is doing much better now.

Meanwhile, Erasure lead singer Andy Bell has confirmed that he is HIV positive.

posted by Maximus | 3:36 pm EST | 2004.12.14 | link

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I DON'T WANNA GO TO CHELSEA
 »General

If NYC is the heart of Blue America, Chelsea is one of its bluest enclaves: art galleries, nightclubs, and a thriving gay scene. So even as the country is seized with Bushistic "moral values" panic, freewheeling artistic expression should still be safe in Chelsea, of all places, right?

You would think so:

A portrait of President Bush using monkeys to form his image led to the closure of a New York art exhibition over the weekend and anguished protests on Monday over freedom of expression.

"Bush Monkeys," a small acrylic on canvas by Chris Savido, created the stir at the Chelsea Market public space, leading the market's managers to close down the 60-piece show that was scheduled to stay up for the next month.

The show featured art from the upcoming issue of Animal Magazine, a quarterly publication featuring emerging artists.

"We had tons of people, like more than 2,000 people show up for the opening on Thursday night," said show organizer Bucky Turco. "Then this manager saw the piece and the guy just kind of flipped out. 'The show is over. Get this work down or I'm gonna arrest you,' he said. It's been kind of wild."

Turco took the show down on Saturday and moved the art work to his small downtown Animal Gallery. Calls to the management of Chelsea Market for comment were not returned.

From afar, the painting offers a likeness of Bush, but when you get closer you see the image is made up of chimpanzees or monkeys swimming in a marsh.

(Via DailyKos.)

posted by Maximus | 9:29 pm EST | 2004.12.13 | link

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BUNKER + CREME USA TOUR
 »Events

A big fat slice of Dutch electro, coming to America! Via some pretentious music-nerd mailing list:

BUNKER Records//Creme Organisation USA TOUR 2005

w/ LEGOWELT, ORGUE ELECTRONIQUE, TLR, SPECULATOR... and quite possibly, a few surprises!!

**1st LEG**

jan 6 cleveland, ohio BSIDE LOUNGE 2785 Euclid Heights

jan 7 detroit, michigan OSLO 1456 Woodward Ave.
w/ special guest James White (live! creme org., toronto division)

jan 8 minneapolis, minnesota First Ave 701 First Ave. w/ local dj
JOBOT

jan 11 chicago, illinois SONOTHEQUE 1444 West Chicago Ave.

jan 12 lawrence, kansas TBA

jan 13 dallas, texas RED BLOOD CLUB 2617 Commerce St.

jan 14 houston, texas THE UNION 202 Tuam

jan 15 austin, texas RUTA MAYA 3601 South Congress

**2nd LEG**

w/ LEGOWELT, OVERDOSE, SPECULATOR, & CHUPACABRAS

jan 20 boston, mass. TBA..

jan 22 nyc, new york THE MUSIC GALLERY 49 anne street

posted by Maximus | 2:07 pm EST | 2004.12.13 | link

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WHITEY @ TRIBECA GRAND, 2004.12.04
 »Reviews

British electro-rocker Whitey has been dubbed the Next Big Thing by various would-be tastemakers (including Larry Tee, who made him the headliner of last month's Outsider Electronic Music Festival). His formula is simple: singing, speaking, and yelping over droning, big-beat sample loops (including talkbox vocals nicked from Chromeo). Add to this a live drummer, and two guitarists with sexy haircuts.

Musically, it's pretty thin, but if you view it as live electro-house, it does its job well. It definitely got the crowd moving a week ago at the Tribeca Grand. Is Whitey poised to become the new Fatboy Slim? I could see this record as the #1 party album of 2005 at frat houses everywhere.

posted by Maximus | 1:01 pm EST | 2004.12.13 | link

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PAPA WAS A ROLLING STONE
 »General

This is a provocative article:

In a nutshell, the ongoing adult preoccupation with current music goes something like this: What is the overall influence of this deafening, foul, and often vicious-sounding stuff on children and teenagers? ...

Instead, I would like to turn that logic about influence upside down and ask this question: What is it about today’s music, violent and disgusting though it may be, that resonates with so many American kids? ...

If yesterday’s rock was the music of abandon, today’s is that of abandonment. The odd truth about contemporary teenage music — the characteristic that most separates it from what has gone before — is its compulsive insistence on the damage wrought by broken homes, family dysfunction, checked-out parents, and (especially) absent fathers. ...

Baby boomers and their music rebelled against parents because they were parents — nurturing, attentive, and overly present (as those teenagers often saw it) authority figures. Today’s teenagers and their music rebel against parents because they are not parents — not nurturing, not attentive, and often not even there.

Maybe pop music dwells more than it used to on broken families. Does that mean families are more dysfunctional than they used to be? Or just that our "therapy culture" encourages us to talk about it more now?

Not all pre-'90s pop music painted family life in a golden light (the song whose title I borrowed for this post came out in 1972). And country and the blues have worked the subject of troubled families for decades.

(Via MetaFilter.)

posted by Maximus | 5:30 pm EST | 2004.12.11 | link

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DOWNLOAD OF THE WEEK
 »Downloads

- Ulrich Schnauss - "Suddenly the Trees Are Giving Away" - It starts as minimal IDM. A loping breakbeat comes into focus. Then come the bells... chiming, wintry, and crystalline... and a warm, lush melody. Which trees Mr. Schnauss is talking about, and what they're giving away, I don't know, but I imagine them as a forest of dark firs in a snowy, moonlit northern landscape, viewed through a window from a warm place on Christmas Eve.

BONUS VIDEO:

- Dangermouse - "The Grey Video" - A clever extension of the Beatles/Jay Z mashup album, built on the framework of a early black-and-white clip of the Fab Four. A flashback to one of 2004's most interesting musical projects.

posted by Maximus | 3:52 pm EST | 2004.12.10 | link

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HOW TO DISMANTLE U2
 »General

John Waters in The Guardian:

[Their latest] is, you might say, U2's fourth White Album, following Zooropa (1993), Pop (1997) and All That You Can't Leave Behind (2000). The White Album marked the beginning of the end of the Beatles and, though not without magic, was so underpinned by a sense of imminent disintegration as to be less a Beatles album than the first wave of a federal farewell.

Achtung Baby (1992) was U2's Sergeant Pepper, combining a conceptual and sonic unity with a startlingly original vision of love as life. This is U2's fourth past-their-best anthology, comprising 10 competent songs and a couple of greatish ones, a showcase of impressive talents and occasional genius, but nothing that, really, a disintegrated U2 couldn't have left unsaid.

On Pop, there were flashes of brilliance in "Last Night on Earth", "Please", and "If You Wear That Velvet Dress" (and maybe "Do You Feel Loved", "Mofo", and "Gone").

I can't think of a single song on All That You Can't Leave Behind that held a candle to any of those tracks.

And after hearing the competent but utterly uninspiring "Vertigo", I can't even bring myself to buy How to Dismantle an Atomic Bomb.

U2 have figured out how to mass-produce and bottle the "U2" brand: by forsaking the exploration and evolution that they once embraced. Now those four Irish millionaires can rock on out into a long sunset, a la Jagger and company.

posted by Maximus | 3:30 pm EST | 2004.12.09 | link

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TONIGHT MAY NEVER COME AGAIN
 »General

As Anders at Music for Robots points out, the murder of ex-Pantera guitarist Dimebag Darrell happened "24 years to the day (almost to the hour)" after John Lennon was shot. Was Darrell's killer aware of the coincidence? We may never know; he was shot dead by a cop shortly after his own shooting spree.

posted by Maximus | 3:07 pm EST | 2004.12.09 | link

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WANNA BE STARTIN' SOMETHING
 »Events

Friday, December 10th, 2004

START IT UP!!

LIVE: Neulander (Disko-B)
LIVE: Snax (Mental Groove, Playhouse, Berlin)
DJ: DJ Unknown (Xylophone Jones / Redux XM80)
DJ: Plexus (m_nus, 2HC)
DJ: Dan Selzer (Acute Records / Crazy Rhythms / nyhappenings)
DJ: Lisa "Bubbles" Hsu (Enabler)
DJ: g.rizo (Repellent / [LHS] / Codek)

Documentary Screening @ 9pm: "Bigger Than Us" (2004) by Isabel Reiss - "a 1 hour documentary film exploring the subcultures of hip-hop and techno."

Free: Repellent Magazine Issue #3
DJs/Live: 10pm - til
Free: Open Bar: Red Stripe from 9pm ­- 10pm

Rothko
116 Suffolk St., Manhattan
Doors: 8:30pm
$8 Advanced Tickets (TicketWeb.com / Other Music)
$10 Reduced Entry w/email (startitup [at] repellentzine.com)
$12 Door

posted by Maximus | 10:15 am EST | 2004.12.09 | link

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GIORGIO!
 »General

Also at Music Thing: It's Giorgio Moroder Week! See parts 1, 2, 3, 3.5, 4, 5, 6, and 7.

This site r0x0rs!

posted by Maximus | 5:52 pm EST | 2004.12.08 | link

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IN THE WHITE ROOM
 »Tech

Music Thing asks a crucial question: Are white synthesizers cooler than black ones?

posted by Maximus | 5:22 pm EST | 2004.12.08 | link

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EYES WIDE OPEN, NAKED AS WE CAME
 »General

I went to film school several years ago with Sam Beam, now known to the music world as Iron & Wine. His fragile folk-tinged harmonies have won a wide following, but what you may not know is that Sam is at least as good a filmmaker as he is a musician.

I mention this because he has directed two amazing Iron & Wine videos that are available now at Sputnik7: "Naked As We Came" and "Southern Anthem".

Sam and I were both fans of Andrei Tarkovsky and his long, meditative takes, that somehow brim with energy and motion despite their stillness. The videos both have this Tarkovsky-esque quality, as well as layers of symbolism and gorgeous cinematography.

posted by Maximus | 6:09 pm EST | 2004.12.07 | link

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OUT HERE IN THE FIELDS
 »Tech

I've recently been listening to Who's Next, a frequent and deserving entry on critics' "best rock albums of all time" lists. (I may be anti-rockist, but not anti-rock.) An oft-repeated bit of trivia is that this was the first mainstream rock album to use programmed, sequenced synthesizers -- in "Baba O'Riley" (aka "Teenage Wasteland") and "Won't Get Fooled Again".

Being the lover of unusual sonic textures that I am, it was the shimmering, pulsing quality of Pete Townshend's keyboard parts that first attracted me to the Who's music. They do sound sequenced... but it turns out they weren't:

I'd always thought this was programmed into Pete's huge modular ARP 2500 synth/sequencer. ... It's hard to believe that the sound we hear on Baba O'Riley is really a Lowrey home organ. The model Pete used was a TBO-1....

Pete is using a setting called 'marimba repeat.' This is different from a normal repeat effect in that certain notes are repeated either on or off the beat creating a much more complicated repeat pattern. For example the following group of notes sound ON the beat when these keys are held F-G, B-C#, and these other notes G#- A#, D-E repeat off the beat creating the alternating pattern heard on Baba O'Riley. In addition, a setting called Wow-Wow is used, much like a guitarist's wah-wah pedal. ...

For Won't Get Fooled Again: Pete is playing block chords spread between the two keyboards of the 1968 Lowrey Berkshire Deluxe TBO-1 organ. The output of the organ is fed into the audio input of the EMS VCS3 mk1 synth. The first bit of processing to be applied to the organ sound is a low-frequency oscillator (LFO) controlling the frequency of a voltage-controlled filter (VCF), using a sine or triangle wave shape. In other words, the synth is turning the tone of the organ from mellow to bright, up and down automatically.

Step 2 has the output of Step 1 being fed into a voltage-controlled amplifier triggered by a square wave LFO. This means the VCS3 is turning the volume of the organ on and off in a repeating fashion.

posted by Maximus | 5:45 pm EST | 2004.12.06 | link

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MY HEAD'S TWISTED SEVERE
 »General

Here's a link to streaming video for The Streets' "Blinded by the Lights" -- the only song I really loved off the new album.

See Mike go to reception at swanky hotel. See Mike get very drunk and very high. See Mike get paranoid about his girl, and mad at his cell phone. See Mike get his face smashed in. Good clean fun!

posted by Maximus | 6:51 pm EST | 2004.12.04 | link

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WHITEY, WILD FLEX, ALLDISCO
 »Events

Three cool parties happening tonight... you can't go wrong.

Saturday, December 4th, 2004

Tribeca Grand, JDH, & Dave P Present: FIXED

w/ special guests WHITEY (UK) live!!

plus residents JDH (We Are 138) & Dave P (Making Time/ Philly)

For this edition of Fixed we welcome hot shit London band Whitey! Over the past year Whitey has stormed the UK music scene with their tracks Leave Them All Behind and Why You Have To Be Me. Their tracks have been on constant rotation with people such as Trash's Erol Alkan & 2 many djs. In addition, Whitey has already remixed Chromeo, Kylie, & Soulwax and their sound has been described as Nirvana meets DJ Hell.

"An oil-soaked rag of a single." - SLEAZENATION

"Gorgeous, throbbing synthetic rock...Black leather 'n' shades dragged screaming into the 21st century." - i-D

"a krautrock classic, it's a monster truck driver of a record" - Jockey Slut

Tribeca Grand Hotel- sublevel
2 Ave of the Americas
10pm
FREE! RSVP to: weare138nyc [at] yahoo.com
____

Sci-Fi Soul & Brooklyn Garage present: Wild FleX < <<

DJs: Paul Kennedy & guests

bubblecrunk, ragga, soca, grime, favela funk, 2step, neukÖln, ardkore jungle, lover's rock

combining the best of UK underground with U.S. & Jamaican flavas plus elektrohaus and dance classics - with emphasis on vocals & pop!

for further info:
http://blissout.blogspot.com/ (review)
http://www.theoriginalsoundtrack.com/blog/ (photo)

ORCHARD BAR
200 Orchard St (b/t Houston and Stanton), Manhattan
(F Train to 2nd Ave or Delancey St)
1-212-673-5350
SATURDAYS 10pm - 3:30am
FREE admission
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ALLDISCO
Saturday, December 4th

Neurotic Drum Band
Rob Uptight
Jeremy Campbell
Dan Selzer

To some people disco means all kinds of dance music. To others it means white platform shoes and leisure suits. We here at ALLDISCO like to think it's somewhere in between. ... From the obscure rarities to the nostalgic classics; from it's roots in funk and soul to love songs from outer space; from roller-skating boogies to 5am menergetic anthems, it's all about good music and good times.

This month's guest will be the esteemed Neurotic Drum Band (in DJ format this time). ... John Selway's known for his many productions under many names (Memory Boy, Semblance Factor,
Responsible Space Cowboys) while Elliot Taub (AKA Ulysses) can be thanked for Alexander Robotnick & I-F's first ever NYC appearances. As the rest of the world catches up to them, we've invited them (and their flawless dj skills) to rock a raw disco party in a dark and sweaty basement.

http://www.alldisco.net/nyh124
(live mix mp3s and playlists posted every month)

Subtonic (basement of Tonic)
107 Norfolk at Delancey
10PM
Free
21+

posted by Maximus | 6:15 pm EST | 2004.12.04 | link

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DANCE-ROCK JUMPS THE SHARK
 »General

From the latest Skrufff newsletter:

Trance Superstars Sign Up For The Rock Revolution

...[M]ainstream trance type Paul Van Dyk admitted being blown away by the decidedly un-trance like new style of fellow superstar DJ Sasha.

" It wasn't anything like the sort of sound I'd seen him spin the last time I'd caught one of his sets," said Van Dyk (writing in his latest column in Mixmag). "He was kind of playing rock music but it was actually really cool."

posted by Maximus | 3:26 pm EST | 2004.12.03 | link

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DOWNLOAD OF THE WEEK
 »Downloads

I know I've been slacking on the downloads lately. I'll make up for it with video and audio downloads every week this month!

- Eigenradio - "Pum Pa Chestnut Pies" - Here's the official explanation: "Eigenradio makes its optimal music by analyzing in real time dozens of radio stations at once. When our bank of computers has heard enough music, it will go to work on making more just like it. ... This season, as a present to friends worldwide, our system listened to as much Christmas music as it could handle." One of the 16 new "Christmas songs" synthesized by Eigenradio is this four-minute piece of sinister, bright ambience.

BONUS VIDEO:

- Tiga - "Hot in Herre" - Tiga's cover of the Nelly hit has been out for ages, but if you haven't seen the video -- or haven't seen this widescreen, hi-res version -- you haven't fully savored the song. Best use of marionettes since Being John Malkovich! Get it while it's hot... it's a big file (28 MB), so if demand gets heavy I may have to pull it down.

posted by Maximus | 3:58 pm EST | 2004.12.02 | link

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ALIVE WITH TECHNOLOGY
 »General

Q: What's more fun than breakdancing robots? A: Nothing. So here's another one!

posted by Maximus | 11:01 am EST | 2004.12.01 | link

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